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Ballet Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet atmosphere of a hotel bar near London's prestigious dance company, Matthew Ball requests a mint tea. His posture is naturally straight-backed, his arms muscular beneath a simple white T-shirt. During performances, ballet dancers can seem like mighty deities, yet often offstage they are petite. Not so Ball, whose height is part of his demand for princely roles and pas de deux work. With delicate traits and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he faced minimal teasing for his early interest in ballet. Entering the Royal Ballet School at 11, he moved directly into the troupe and was advanced annually, attaining the highest position of lead dancer in 2018. He has relished tackling substantial dramatic roles, particularly the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured role is in a talk, in an "In Conversation" event designed to offer behind-the-scenes perspectives into a performer's craft. He will walk the crowd through a role, demonstrating his cognitive workflow during execution. Even in more comedic works, the test is profound. "Don Quixote is one of the toughest technically," he notes.

The Mental Game and After the Show Emotions

What about following a performance, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to squeeze all the emotion out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. After Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. Yet a dance maker once observed on a "sense of suffering in him." Does this exist? "I am very energetic in general, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an instigator for positive change."

Formative Drivers and Artistic Influences

His determination originated in early experiences. Not doing well in contests at school made him "driven!" This became fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is creating his own choreography. For Ball, "there's nothing wrong with." "Challenging the rules is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from books, music, and art.

Intimate Dance and Personal Partnership

He additionally is interested in staging dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their home company, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On social media, fans can see clips from his dance films and photos that showcase a athletic physique. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his younger self as "eager for success." Did it lived up to his hopes? "I am conscious of how life is a separate thing to the dreams you made as a child," he reflects. He likely has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."

KL
Written by

Kevin Lewis

A tech strategist with over a decade of experience in digital transformation and innovation, specializing in UK market trends.

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